<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>Consteps School: Journal</title><description>Practical notes on DaVinci Resolve editing, colour grading and workflow from a working filmmaker.</description><link>https://school.consteps.co/</link><item><title>Waveform, parade, vectorscope: what each scope actually tells you</title><link>https://school.consteps.co/journal/waveform-parade-vectorscope/</link><guid isPermaLink="true">https://school.consteps.co/journal/waveform-parade-vectorscope/</guid><description>The waveform shows brightness, the parade shows colour balance, the vectorscope shows hue and saturation. How to read each one in DaVinci Resolve.</description><pubDate>Wed, 28 Oct 2026 00:00:00 GMT</pubDate><category>Colour</category></item><item><title>Why your DaVinci Resolve export looks washed out (and how to fix it)</title><link>https://school.consteps.co/journal/why-your-davinci-resolve-export-looks-washed-out/</link><guid isPermaLink="true">https://school.consteps.co/journal/why-your-davinci-resolve-export-looks-washed-out/</guid><description>Your export looks flat next to the Resolve viewer? Usually it&apos;s a gamma tag or a levels mismatch, not your grade. Here&apos;s how to find the cause and fix it.</description><pubDate>Wed, 28 Oct 2026 00:00:00 GMT</pubDate><category>Delivery</category><category>Colour management</category></item><item><title>YRGB, Color Managed or ACES? Choosing a colour pipeline in DaVinci Resolve</title><link>https://school.consteps.co/journal/yrgb-color-managed-or-aces/</link><guid isPermaLink="true">https://school.consteps.co/journal/yrgb-color-managed-or-aces/</guid><description>DaVinci YRGB, Color Managed and ACES all work. What each one does with your footage, and how to choose the right one for your project.</description><pubDate>Wed, 28 Oct 2026 00:00:00 GMT</pubDate><category>Colour management</category></item></channel></rss>